Polyester shreds fall like silt, the slow pedetic descent through currents undulting with sighs and tentacles. So gentle and inevitable in the tranquil aftermath, of such broken seams. Reaching out to touch the flecks. The feeling of history’s suffocating weft, … Continue reading
I’ve been trying to extend my dabbling novice creative skills into something more substantial. It has taken me a great deal of time (many years in fact) to realise that artistically speaking, I am almost always working in only two dimensions. I can paint a picture, describe a scene, show a snapshot, play a scale, but when it comes to telling a story all I seem to do is string together snippets that don’t necessarily seem to fit. I’ll provide a rich scene and then tack a twist on the end, and tell myself that’s basically a story. In short, I have hitherto lacked the foresight to bring the third dimension of time into my efforts. I believe that this, at least in part, stems from my misplaced core belief that art comes from somewhere guttural and insentient, that does not need to obey the normal laws of planning and contextual consideration. As I mentioned before I am challenging that belief and trying to push past the ideal of creative purity and dirtying my creations with consideration and positive self-criticism. A really tough lesson for me is planning. I try to make an animation…I realise immediately that I lack the equipment and skill to make what is in my head. The simplest plans are laid in ruins by the blight of poor lighting. I can’t say I’m exactly proud of the silent movie snippet above, but I’m not disappointed either. It has taught me a little about timing, lighting, and angles. But on this occaission, they don’t really work for me, because there is no story. And stories are what make this whole damned life worth living.